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Product collection: 3ds max 2012 Rendering Master cd front  
Tutorial Information   Product ID: 613247
Keywords: tutorial, video, course, italian, corso, iray, 3ds, max, 2012, italiano, master, rendering, cuda, gpu, cd, front
Author: Mak21
Added on: 4/19/2012
Category: Tutorials > 3ds max > Miscellaneous
Summary: 3ds max 2012 Rendering Master cd front 3D Collection
This product is a collection of multiple other products found on The3dStudio.com.
Raccolta di 7 Master class dedicati al rendering
39 ore, 380 lezioni, lingua: Italiano
protezione cd front non richiede connessione ad internet (read more)
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• ID: 456757 - 3ds max 2012 Iray Interior v 3 Italiano cd front
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• ID: 452544 - 3ds max 2012 Iray Materiali Italiano cd front Vol 2
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• ID: 440787 - 3ds max 2012 Iray Rendering Italiano cd front vol 1
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• ID: 611400 - 3dsmax 2012 Iray Rendering HDR vol 4 Italiano_cd front
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• ID: 611623 - Mental Ray 3.9 3ds max 2012 V 5 Italiano cd front
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• ID: 611610 - Mental Ray 3.9 3ds max 2012 V.4 Italiano cd front
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• ID: 611547 - Mental Ray 3.9 3ds max 2012 v3 Italiano cd front
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• ID: 611536 - Mental Ray 3.9 In 3dsmax 2012 Vol.1 Italiano_cd front
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• ID: 611540 - Mental Ray 3.9 In 3dsmax 2012 Vol.2 Italiano_cd front
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• ID: 611625 - Mental Ray 3.9 In 3dsmax 2012 Vol.6 Italiano_cd front
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Full description
NOTA: I FILE DEI MASTER CLASS 2012 DEVO ESSERE ESTRATTI NELLA STESSA CARTELLA, PER RICOMPORRE IL PLAYER UNICO DI ESECUZIONE.

3dsmax 2012 Master in Rendering è una collezione di 7 video corsi deidcati al Rendering in Mental ray - iray

Di seguito le descrizioni dei 9 video corsi

Volume 1.0 Rendering

In questo Video corso dedicato a mental ray 3.9
in 3dsmax 2012 sono analizzate le procedure relative
alle impostazioni di rendering.
I master class sono illustrati in una trattazione chiara e completa
Completato il master sarete in grado di gestire i molteplici
argomenti trattati nelle video lezioni.

Argomenti: Analisi delle impostazioni di campionamento e
contrasto, la gestione dei filtri, le impostazioni degli algoritmi
le opzioni di animazione, il controllo della qualità nelle riflessioni
e rifrazioni, gli effetti di movimento e sfocatura, gli shader delle
fotocamere, esempi di distorsione immagine, gestione delle ombre
utilizzo del Diplacement, tutte le impostazioni di illuminazione indiretta
del Final_Gather e Global_illumination, tutte le impostazioni per le
Caustiche, analisi della luce del sole e dello sky e skportal.
molti esempi di rendering disponibili sia come file singoli e in livelli di Photoshop
per una rapida consultazione e confronto tra i vari test.


Volume 2.0 Luce e Rendering

In questo Video corso dedicato a mental ray 3.9
in 3dsmax 2012 sono analizzate le procedure
di illuminazione nel Rendering.

I video corsi sono illustrati in una trattazione chiara e completa
Completato il video corso sarete in grado di gestire i molteplici
argomenti trattati nelle video lezioni.

Argomenti: Analisi dettagliata del sistema Daylight e posizione geografica,
i parametri del Mr Sun, dello MR Sky, del Mr Physical Sky, i modelli di sky
Haze - Perez All Weather - CIE.
Utilizzo dei dati climatichi Weather Data File e banche dati sul web,
Le Mr Sky Portal, le luci fotometriche, gli effetti volumetrici Parti Volume.
La misurazione della luce tramite Ligth Analysis e i Light Meters e Overlay.
Il controllo di esposizione di Mental ray e i gradi Kelvin relazionati alle luci fotometriche.
La illuminazione di esterni e interni, soluzione illuminazione solare e artificiale, Rendering e impostazioni global illumination e final gather relative alle condizioni di illuminazione.


Volume 3.0 Materiali Arch e Design

In questo Video corso dedicato a mental ray 3.9
in 3dsmax 2012 sono analizzati i Materiali Arch e Design

I video corsi sono illustrati in una trattazione chiara e completa
Completato il video corso sarete in grado di gestire i molteplici
argomenti trattati nelle video lezioni.

Argomenti: Analisi dettagliata della struttura dei materiali
Arch e Design nel Material editor e Slate editor.
Esempi e rendering relativi ai concetti di Diffusione, Texture
Riflessione, Rifrazione, Glossy, BRDF, Termodinamica
Anisotropismo, Ior, colore e riflessioni e rifrazioni, Traslucenza
Autoilluminazione, Occlusione Ambientale, Angoli Smussati.
Parametri avanzati di riflessione e rifrazione, Caustiche
illuminazione indiretta, Effetti di rilievo tramite Bump e Displacement
Mappe avanzate di ritaglio ambiente sel illumination e colori addizionali
Esempi di template e materiali realistici per la simulazione di plastica
metalli, verti, ceramiche, legni, pelle.
Metodi di modifica veloce per creare materiali opachi luci e semilucidi.
Impostazioni avanzate per ottimizzare i risultati e ridurre i tempi di rendering

Volume 4.0 Interior Design

Argomenti: creazione step by step di tutti i materiali necessari
alla realizzazione del rending finale, i trucchi e consigli per
realizzare e ottimizzare i materiali, i metodi per risparmiare
tempo durante le prove di rendering, la gestione dei file di illuminazione
indiretta e geometria cache, le impostazioni finali di rendering e le comparazioni
tra Global illumination e Final Gather.
Metodi di creazione dei materiali nel nuovo Slate material e nel Material editor.
Utilizzo di materiali Arch & Design e Autodesk Material per la realizzazione
di ceramica, plasticha, metallo, vetro, legno, sapone, pvc, liquido, specchio
oro, tessuto spugnoso e tesssuto semi trasparente, autoilluminazione.
Gestione del campionamento e qualità dei materiali.


Volume 5.0 Autodesk Material

Argomenti: Analisi dettagliata del materiale Autodesk Generic e sue
impostazioni di Colore, Texture, Glossiness, Highlights, Reflectivity
Termodinamica, Sample, Transparency, Cut-outs, Self Illumination
Bump, Ambient Occlusion, Round Corner, Max Trace Depth
Autodesk Bitmap UV Map e Interpolarità.
Analisi dettagliata di tutte le tipologie di Materiali per creare
Ceramica, Vetro Solido, Legno, Metallo, Vernice Veicoli, Plastica, Pietre
Muri, Specchi, Acqua, vetro sottile e analisi di tutte le variabili disponibili
in ogni singolo materiale.
Esempi di rendering in interni esterni e design, 124 immagini di reference
allegate ad ogni esempio per una rapida consultazione.
Analisi delle librerie Autodesk Material e gestione di 1195 materiali Architettonici
pronti al loro utilizzo, sono stati realizzati 1195 rendering per una facile consultazione delle librerie Autodesk.


Volume 6.0 Materiale Car Paint e zione Fotografica


Argomenti: sono analizzati i procedimenti per re oggetti 3d
in sfondi fotografici, per realizzare ambientazioni in esterni, i procedimenti
sono indicati anche per scene di interni, tramite Environment Background Switcher
Camera map, Mirror ball.
Tecniche per ricevere ombre portate direttamente su ambienti fotografici
tramite il materiale Matte Shadow Reflection.
Come gestire il controllo di esposizione durante l'inserimento fotografico.
Analisi dettagliata del materiale e shader Car Paint: Paint Diffuse Coloring,
Paint Flakes Specular Reflections, Reflectivity, Dirty Layer, Advanced options.
Creazione scena finale e analisi materiali pneumatici, fanali, vertri, interni etc


Indice delle lezioni :

Mr 3.9_001_Scelta Rendering e Gamma

Mr 3.9_002_Sample_Quality_Sample_per_Pixel

Mr 3.9_003_Sample_Quality_Sample_per_Pixel_Adattivo

Mr 3.9_004_Sample_Quality_Spatial_Contrast

Mr 3.9_005_Sample_Quality_Pixel_Diagnostic

Mr 3.9_006_Sample_Quality_Pixel_Immagini Ps

Mr 3.9_007_Sample_Quality_Filter

Mr 3.9_008_Sample_Quality_Filter_Immagini Ps

Mr 3.9_009_Sample_Quality_Opzioni e Animazioni

Mr 3.9_010_Sample_Quality_Algorithms Scanline e Ray Tracing

Mr 3.9_011_Algorithms Scanline e Fast Rasterizer

Mr 3.9_012_Raytrace e Bsp

Mr 3.9_013_Rendering Algorithms_Riflessioni

Mr 3.9_014_Rendering Algorithms_Rifrazioni

Mr 3.9_015_SubSet_Pixel

Mr 3.9_016_Camera_Effects_Motion_Blur

Mr 3.9_017_Camera_Effects_Motion_Blur_Opzioni

Mr 3.9_018_Camera_Effects_Countourn_Semplice

Mr 3.9_019_Camera_Effects_Countourn_Only

Mr 3.9_020_Camera_Shader_Lens_Subset

Mr 3.9_021_Camera_Shader_Distorsioni

Mr 3.9_022_Camera_Shader_Output_Motion_Blur

Mr 3.9_023_Camera_Shader_Depth_of_Field_Camera

Mr 3.9_024_Camera_Shader_Depth_of_Field_Prospettiva

Mr 3.9_025_Ombre_Shadows

Mr 3.9_026_Ombre_Compatibili

Mr 3.9_027_Displacement_Edge Length

Mr 3.9_028_Displacement_max_Displace

Mr 3.9_029_Displacement_Max_Subdiv-View-Propietà

Mr 3.9_030_Displacement_File di Esempio

Mr 3.9_031_Final_Gather_Precisions

Mr 3.9_032_Final_Gather_Rays_per_FG_Point

Mr 3.9_033_Final_Gather_Diagnostica

Mr 3.9_034_Final_Gather_Rays_per_FG_Point

Mr 3.9_035_Final_Gather_Interpolate_Over_Num_FG_Points

Mr 3.9_036_Final_Gather_FG_Point_interpolation

Mr 3.9_037_Final_Gather_Multiplier

Mr 3.9_038_Final_Gather_Diffuse_Bounce

Mr 3.9_039_Final_Gather_Noise Filtering

Mr 3.9_040_Final_Gather_Trace_Depth

Mr 3.9_041_Final_Gather_Use_falloff

Mr 3.9_042_Final_Gather_Salvare la mappa_Still Image

Mr 3.9_043_Final_Gather_Salvare la mappa_Animazione

Mr 3.9_044_Final_Gather_ Map_Animazione Interpolazione

Mr 3.9_045_Final_Gather_Salvare la mappa_Animazione Fotocamera

Mr 3.9_046_Definizione_Global_illumination

Mr 3.9_047_Global_illumination_Fotoni e Diagnostica

Mr 3.9_048_Global_illumination_Maximum Num. Photons per Sample

Mr 3.9_049_Global_illumination_Calcolare il_Maximum Sampling Radius

Mr 3.9_050_Global_illumination_Esempi di Sampling Radius

Mr 3.9_051_Global_illumination_Merge Nearby Photons

Mr 3.9_052_Global_illumination_Optimaize_for Fg

Mr 3.9_053_Global_illumination_Trace_Depth

Mr 3.9_054_Global_illumination_Multiplier e Decay

Mr 3.9_055_Global_illumination_Sole e Target Fotoni

Mr 3.9_056_Escludere Oggetti dalla GI e FG

Mr 3.9_057_Global_illumination_Mappe Incrementali

Mr 3.9_058_Salvare i Preset del Rendering

Mr 3.9_059_Luce Diretta e Indiretta Dayligth

Mr 3.9_060_Crezione Dayligth Sole e Sky

Mr 3.9_061_Luce Sun e Sky nel Final_Ghather

Mr 3.9_062_Tinta Non-Physical nel Final_Ghather

Mr 3.9_063_Mr Physical Sky e Daylight System

Mr 3.9_064_Global illumination e Skyportal

Mr 3.9_065_GI FG Skyportal

Mr 3.9_066_Attivare le Caustiche

Mr 3.9_067_Caustiche_Multiplier - Photon Sample - Radius

Mr 3.9_068_Caustiche_ Numero Fotoni e Energia

Mr 3.9_069_Caustiche_ I Filtri

Mr 3.9_070_Caustiche_ Ombre e Materiali

Mr 3.9_071_Caustiche_ Physical Units e Unitless

Mr 3.9_072_Costruzione_Dayligth

Mr 3.9_073_Daylight_ Posizione_Geografica

Mr 3.9_074_Daylight_ Weather Data File

Mr 3.9_075_Daylight_ Sun_Multiplier_e_Ev

Mr 3.9_076_Daylight_Shadows_Ombre

Mr 3.9_077_Daylight_Soft_Shadow_Precision

Mr 3.9_078_Daylight_Tinta Sole non Fisica

Mr 3.9_079_Daylight_Photon Targer_Sun_Moltiplicatore Sky

Mr 3.9_080_Daylight_Ground_Color

Mr 3.9_081_Daylight_Sky_Haze_Driven

Mr 3.9_082_Daylight_Sky_Haze_Driven e Mr Sky

Mr 3.9_083_Daylight_Sky_Perez All-Weather

Mr 3.9_084_Daylight_Sky_Perez All-Weather_Lux

Mr 3.9_085_Daylight_Sky_CIE_Model

Mr 3.9_086_Daylight_Sky_Aerial Perspective

Mr 3.9_087_Daylight_Sky_Background

Mr 3.9_088_Daylight_Sky_Background_Haze

Mr 3.9_089_Daylight_Mr_Physical_Sky_Volume_Shader

Mr 3.9_090_Parti Volume start

Mr 3.9_091_Parti Volume end

Mr 3.9_092_Daylight_Interni

Mr 3.9_093_Daylight_Interni_Mr_Sky_Portal

Mr 3.9_094_Mr_Sky_Portal_Multiplier_Filter Color

Mr 3.9_095_Mr_Sky_Portal_Colorazione_Custom

Mr 3.9_096_Mr_Sky_Portal_Ombre e Sample

Mr 3.9_097_Mr_Sky_Portal_Parametri Avanzati

Mr 3.9_098_Luci_Photometrict_Controllo Esposizione

Mr 3.9_099_Luci_Photometrict_Distribuzione

Mr 3.9_100_Luci_Photometrict_Templates

Mr 3.9_101_Luci_Photometrict_Gradi Kelvin e Colore

Mr 3.9_102_Luci_Photometrict_Intesità e Dimming

Mr 3.9_103_Luci_Photometrict_Decadimento Far Attenuation

Mr 3.9_104_Luci_Photometrict_Shape_Area_Shadows

Mr 3.9_105_Luci_Photometrict_Shape_Area_Distribuzione e Visibilità

Mr 3.9_106_Luci_Photometrict_Shape_Area_Sample

Mr 3.9_107_Luci_Photometrict_Global_Setting

Mr 3.9_108_Luci_Photometrict_Shadow Parameters e Advanced Effects

Mr 3.9_109_Luci_Photometrict_Controllo Emissioni Fotoni

Mr 3.9_110_Controllo Esposizione_ EV_Shutter_Speed

Mr 3.9_111_Controllo Esposizione_ Diaframma e Tempi

Mr 3.9_112_Controllo Esposizione_ Iso e Film Grain

Mr 3.9_113_Controllo Esposizione_ Image controll

Mr 3.9_114_Controllo Esposizione_ Gradi Kelvin e White Point

Mr 3.9_115_Ligth Analysis_ General

Mr 3.9_116_Ligth Analysis_ Ligthting

Mr 3.9_117_Ligth Analysis_ Materials

Mr 3.9_118_Ligth Analysis_ Output_LigthMeter

Mr 3.9_119_Ligth Analysis_ Output_Overlay

Mr 3.9_120_Illuminazione Interni Finale

Mr 3.9_121_Arch_Design_Introduzione

Mr 3.9_122_Arch_Design_Material editor e Slate Editor

Mr 3.9_123_Arch_Design_Diffuse_Level

Mr 3.9_124_Arch_Design_Diffuse_Roughness

Mr 3.9_125_Arch_Design_Diffuse_Texture

Mr 3.9_126_Arch_Design_Material editor e Slate Editor Texture

Mr 3.9_127_Arch_Design_Reflectivity

Mr 3.9_128_Arch_Design_Reflectivity_Glossy_Sample

Mr 3.9_129_Arch_Design_Glossy_Reflections_Precision

Mr 3.9_130_Arch_Design_Glossy_Sample

Mr 3.9_131_Arch_Design_Glossy_Highlights Fg only

Mr 3.9_132_Arch_Design_Metal Material

Mr 3.9_133_Arch_Design_Reflectivity_Brdf

Mr 3.9_134_Arch_Design_Reflectivity_Termodinamica

Mr 3.9_135_Arch_Design_Reflectivity_Anisotropismo

Mr 3.9_136_Arch_Design_Reflectivity_Anisotropismo e Texture

Mr 3.9_137_Arch_Design_Reflectivity_Color

Mr 3.9_138_Arch_Design_Refraction_Color

Mr 3.9_139_Arch_Design_Refraction_IOR

Mr 3.9_140_Arch_Design_Refraction_Glossines

Mr 3.9_141_Arch_Design_Refraction_Reflectivity

Mr 3.9_142_Arch_Design_Traslucenza

Mr 3.9_143_Arch_Design_Self_Illumination_Color

Mr 3.9_144_Arch_Design_Self_Illumination_Luminance

Mr 3.9_145_Arch_Design_Self_Illumination_Glow_Options

Mr 3.9_146_Arch_Design_Self_Illumination_Glare

Mr 3.9_147_Arch_Design_Ambient_occlusion

Mr 3.9_148_Arch_Design_Round_Corner

Mr 3.9_149_Arch_Design_Max_Distance_Reflections

Mr 3.9_150_Arch_Design_Max_Distance_Refraction

Mr 3.9_151_Arch_Design_Max_Reflection_skip

Mr 3.9_152_Arch_Design_Relative Intensity Highlights

Mr 3.9_153_Arch_Design_Glass_Solid_Thin-Walled

Mr 3.9_154_Arch_Design_Caustiche e Ombre Avanzate

Mr 3.9_155_Arch_Design_Caustiche e Max Distance

Mr 3.9_156_Arch_Design_Back_Face_Culling

Mr 3.9_157_Arch_Design_FG_Multiplier_Quality

Mr 3.9_158_Arch_Design_Fast_glossy_Neigthbouring

Mr 3.9_159_Arch_Design_ast_glossy_Higth_Detail_Distance

Mr 3.9_160_Arch_Design_Special_Maps_Bump

Mr 3.9_161_Arch_Design_Special_Maps_Displace

Mr 3.9_162_Arch_Design_Special_Cutout

Mr 3.9_163_Arch_Design_Special_Enviroment

Mr 3.9_164_Arch_Design_Additional color

Mr 3.9_165_Arch_Design_Self Illumination Color

Mr 3.9_166_Arch_Design_General_Maps e Mappa Mix

Mr 3.9_167_Arch_Design_General_Mental ray connection

Mr 3.9_168_Arch_Design_General_Template

Mr 3.9_169_Arch_Design_Conclusioni

Mr 3.9_263_Set Fotografico

Mr 3.9_264_Environment Background Switcher

Mr 3.9_265_Camera Map e Chrome Ball

Mr 3.9_266_Switcher Physical Units e Multiplier

Mr 3.9_267_Switcher Camera Map e Chrome Ball_Bitmap Standard

Mr 3.9_268_Introduzione_Matte Shadow Reflection

Mr 3.9_269_Matte Shadow Reflection_Parameters

Mr 3.9_270_Matte Shadow Reflection_Gestione Ombre

Mr 3.9_271_Matte Shadow Reflection_Ombre e Luci

Mr 3.9_272_Matte Shadow Reflection_Ambient Occlusion

Mr 3.9_273_Matte Shadow Reflection_Reflection 1

Mr 3.9_274_Matte Shadow Reflection_Glossiness

Mr 3.9_275_Matte Shadow Reflection_Max Distance

Mr 3.9_276_Matte Shadow Reflection_Indirect Illumination e Ombre Sun

Mr 3.9_277_Mr sky e Physical Units

Mr 3.9_278_Matte Shadow Reflection e Physical Units

Mr 3.9_279_Introduzione Car Paint

Mr 3.9_280_Car Paint_Ambient Extra Ligth

Mr 3.9_281_Car Paint_Base Color

Mr 3.9_282_Car Paint_Edg Color e Bias

Mr 3.9_283_Car Paint_Light Facing Color e Bias

Mr 3.9_284_Car Paint_Diffuse Weight Bias

Mr 3.9_285_Car Paint_Flake Color e Weight

Mr 3.9_286_Car Paint_Flake Reflection_Specular_Density

Mr 3.9_287_Car Paint_Flake_Decay_Strengh_Scale

Mr 3.9_288_Car Paint_Specular_Reflection

Mr 3.9_289_Car Paint_Reflection Color_Edge Factor

Mr 3.9_290_Car Paint_Reflectivity_Edge Facing Weight

Mr 3.9_291_Car Paint_Reflectivity_Glossy e Max Distance

Mr 3.9_292_Car Paint_Dirty Layer

Mr 3.9_293_Car Paint_Advanced options

Mr 3.9_294_Car Paint_Bump

Mr 3.9_295_Car Paint_Bump e Arch Design

Mr 3.9_296_Car Paint_Conclusioni

Di seguito la descrizione dei 4 volumi per Iray

Capitolo 1.0 Rendering
la tecnologia Unbiased , le risorse Cuda e le Gpu
le impostazioni di rendering, confronti tra Mental ray e Iray
Analisi e test trace Bounce, Analisi e test Antialiasing
Analisi e test Displacement, Analisi e test Materiali Override
I nuovi procedimenti di utlizzo del Dayligth System Analisi di
Mr sun e Mr Sky, comprendere l'utilizzo dgli sky model e del
Mr Physical Sky in Iray.

Capitolo 2.0 Luci e Materiali
Le Luci fotometriche e la compatibilità
in Iray, le ombre le distribuzioni i file IES, la gestione
delle sky portal, il comportamento del enviroment
Materiali Arch e Design differenze tra Iray e Mental ray
come utilizzare i Material Arch e Desing in Iray.
Compatibilità dei Pro Material e Autodesk Material
in Iray, editign delle immagini in Photoshop.
Esempi di Rendering in interni ed esterni.

Capitolo 3.0 Interior
Comparazione Rendering tra Mental ray 3.9 e
Iray 1.2, analisi e comparazione della illuminazione in scene di
interni per iray, analisi e comparazione dei materiali e postproduzione
in programmi di edintg 2d.

Capitolo 4.0 HDRI Rendering
Utilizzo delle immagini HDRI come fonte di illuminazione
e relazione tra i paremetri di rendering, illuminazione e controllo di esposizione.
Utilizzo del nuovo Atcive Shade per rapide visualizzazioni in viewport.
Creazione di fotoinserimento tramite immagini HDRI e Script dedicati
alla modifica del fotoinserimento.
Analisi dettagliata della memoria Ram necessaria alla gpu per gestire
geometrie, texture e risoluzione rendering.
Utilizzo della profondità di campo Depht_of_Field.
Esercizi di illuminazione di interni e esterni tramite HDRI,
Post produzione in photoshop e Composite 2012: gestione
di maschere e filtri riduzione disturbo.
Risorse gratuite texture HDRI in internet.

Allegate alle lezioni sono disponibili i file 3dsmax 2012.
Sono presenti 83 video avi codec xvid- risoluzione 1024 x 768
in modalità smart focus zoom nelle zone di maggior importanza
Il master ha una durata di 9 ore, lingua italiano.

Indice delle lezioni :

Capitolo 1.0 Rendering

001_Attivare Iray

002_Unbiased_Cuda e schede video

003_Monitoraggio CPU e GPU

004_Comparazione Mental ray e Iray

005_Iray_Time e Iterazioni

006_Iray_Velocità GPU e CPU

007_Iray_Rendering_Unlimited

008_Iray_Considerazioni_Duration_Frames

009_Iray_Comparazione_Numero di Iterazioni

010_Iray_Trace_Bounce i Rimbalzi

011_Iray_Comparazione_Trace_Bounce

012_Iray_Bounce e Controllo esposizione

013_Iray_Filtri di Antialiasing

014_Iray_Displacement

015_Iray_Displacement Parametri

016_Iray_Material Override

017_Iray e Mental ray_Dayligth System

018_Iray_Gestione Mr Sun e Mr Sky

019_Iray_Parametri Mr Sun

020_Iray_Parametri Mr Sky

021_Iray_ Mr Sky Model

022_Iray_ Mr Physical Sky

Capitolo 2.0 Luci e Materiali

023_Iray_Luci Photometric Spherical

024_Iray_Luci Photometric Uniform Diffuse

025_Iray_Luci Photometric Spot e Web IES

026_Iray_Luci Photometric Shape Area

027_Iray_Luci Photometric Gradi kelvin e Parametri

028_Iray_Sky portal

029_Iray_Illuminazione mista

030_Iray_Enviroment_Map

031_Iray_Arch e Desing Diffuse

032_Iray_Arch e Desing Reflection

033_Iray_Arch e Desing Glossiness

034_Iray_Arch e Desing Anisotropismo

035_Iray_Compatibilità Materiali e shader

036_Iray_Arch e Desing Vetri e trasparenza

037_Iray_Arch e Desing Conclusioni

038_Iray_Autodesk e Pro Material

039_Iray_e Photoshop

040_Iray_Conclusioni

Capitolo 3.0 Interior

041_Iray_Mental ray 3.9 Scena di Interni

042_Iray_illuminazione Scena di Interni

043_Iray_Analisi Clay Render

044_Iray_Analisi Materiali e Rendering

045_Iray_Conclusioni e Postproduzione

Capitolo 4.0 HDRI Rendering

046_Iray_2.0_Presentazione

047_Iray_2.0_Luce_Base

048_Iray_2.0_Luce_Base_e_HDRI

049_Iray_2.0_HDRI_Giusta_Impostazione

050_Iray_2.0_HDRI_Modifica Esposizione e Risorse HDRI

051_Iray_2.0_Attivare_Active Shade

052_Iray_2.0_Active Shade Posizione Oggetti

053_Iray_3.0_Active Shade e Luci

054_Iray_2.0_Introduzione_Fotoinserimento

055_Iray_2.0_Installare Iray Maneger

056_Iray_2.0_Fotoinserimento Infinito

057_Iray_2.0_Salvataggio Info Script

058_Iray_2.0_Risoluzione Enviroment

059_Iray_2.0_Modifica Camera Spazio Infinito

060_Iray_2.0_Terreno_Posizione_Riflessione

061_Iray_2.0_Fotoinserimento Sfera

062_Iray_2.0_Fotoinserimento Semisfera Sfera

063_Iray_2.0_Fotoinserimento Ground

064_Iray_2.0_Color Override e Maschere

065_Iray_2.0_Script Manuale

066_Iray_2.0_Compositing Auto

067_Iray_2.0_Compositing Auto_seconda_parte

068_Iray_2.0_Tools_Gestione_Ram_GPU

069_Iray_2.0_Utilizzo_Ram_GPU_Rendering

070_Iray_2.0_Utilizzo_Ram_GPU_Rendering Seconda Parte

071_Iray_2.0_Utilizzo_Ram_GPU_Texture

072_Iray_2.0_Utilizzo_Ram_GPU_Texture Multiple

073_Iray_2.0_Utilizzo_Ram_Poligoni

074_Iray_2.0_Utilizzo_Ram e Mental ray Proxy

075_Iray_2.0_Hdri_Scene_Interni

076_Iray_2.0_Hdri_Self_illumination_Scene_Interni

077_Iray_2.0_Photoshop_Contrasto e Disturbo

078_Iray_2.0_Photoshop_Maschere

079_Iray_2.0_Tempi di Rendering

080_Iray_2.0_Depht_of_Field

081_Iray_2.0_Hdri_Self_illumination_Scene_Esterni

082_Iray_2.0_Composite_PostProduzione

083_Iray_2.0_Saluti e Risorse

Mak21 is an operator 3dsmax certified advanced level DISCREET
Mak21 is an operator 3dsmax certified advanced rendering AUTODESK
Mak21 is an operator 3dsmax certified architectural visualization AUTODESK
Mak21 is an operator Autocad certified AUTODESK

Licenze scene contenute nel corso:

Il video corso può essere installato e visionato unicamente su un computer appartente alla stessa persona che ha eseguito l'acquisto o attivato il corso.
La licenza prevede la possibilità di installare il corso, su un secondo computer appartente sempre alla stessa persona che ha eseguito l'acquisto o attivato il corso per esigenze di viaggio lavoro studio etc.
è vietato cedere a terzi il contentuo dei video corsi, la divulgazione in qualsiasi forma pubblica o privata, è vietata la vendita, il noleggio, il prestito, la proiezione in luoghi pubblici o privati senza autorizzazione scritta dell'autore.
Non rispettando il divieto sarete perseguibili nei termini di legge riferite alle normative sul copyright © Marcello Pattarin

Importante: il prodotto deve essere attivato tramite autorizzazione.
completato il download richiedete la password seguendo le istruzioni
allegate al file readme, inviando i vostri dati tramite e-mail.
Riceverete i dati di attivazione nei giorni successivi.

Istruzioni video per richiesta password master class e video corsi
mak 21
(Product Link)

I vantaggi dei video corsi:

Dopo il download potete seguire le video lezioni sul vostro computer, quando volete e dove volete
le lezioni non sono in streaming, non sono imposti limiti di tempo come abbonamenti o simili
saranno sempre a vostra disposizione insieme ai file 3dsmax per esercitarvi!

Se avete dimenticato qualche nozione sarà sufficiente rivedere la lezioni
questo è un grande vantaggio per avere sempre a disposizione i concetti e gli esercizi.

Oltre alla teoria nei corsi sono disponibili esempi pratici realizzati con una qualità
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L'efficacia dei video corsi è superiore a qualsiasi altro metodo di apprendimento
osservare un procedimeto senza perdere nessun passaggio lo rende superiore a qualsiasi
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in tutti i passaggi ma solo descritti, è di fondamentale importanza per un utente di qualsiasi
livello base intermedio esperto non lasciare alla immaginazione anche un solo passaggio
del processo produttivo.

Un ora di video corso corrisponde alla possibilità di apprendere decine e decine di pagine
contenute in un libro con i vantaggi già descritti e con una velocità senza paragoni.